In 2008 I created this design for W&D as part of my Big New Brand collection…

Today, 13 years later it became one of the iconic designs of the mark, it’s nice to still see it passing in the social media as if was only created!

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Past realisations in paper for Cheval Blanc LVMH (via N+CO agency)

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A new article in a great blog- The Culturium, about my work in chapter 9 of our ongoing collaborative research “Visualizing the Invisible” Thank you Paula Marvelly!

 

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Thank you to Paula Marvelly from the Culturium for this publication from mai 3 2020!

 

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In(2)Visible ongoing Research

Making transparent our collaborative way of ART MAKING and ART SHARING, we are two artists separated by geographical distance, committed to documenting our year long RESEARCH on ART and MINDFULNESS. Exposing our most intimate observations, our mission is to VISUALIZE THE INVISIBLE through a JOURNEY INTO SILENCE.

Blog : in2visible.com

Facebook page : In2visible.blog

Instagram page : in2.visible

Our documented research in its raw vulnerable journal-like shape, highlights the PROCESS and opens to a dynamic conversation rather than a final product. Our BLOG invites you into our journey through alternating insights and artwork by Paris-based artist TAL WALDMAN and American artist FIONA MOREHOUSE.

In FEBRUARY / MARCH: I started GENIUS LOCI (8 chapters) / Searching for the invisible essence of the mountains, the genius loci, I practice repetitive drawings of the same situations while exercising patient observation. Meanwhile Fiona is Seeking in TAP ROOT  to illuminate the essence of the inner landscape,and guidance from the trees.
In APRIL / MAY : (6 chapters)Entering the tragic period of confinement du to the Covid19 pandemic, I sense the need to structure the research by examining common qualities of art making and inner work; turning to SACRED SYMBOLS. MeanwhileFiona : EXPOSURE (3 chapters) / Through immersive nature studies, a passageway between worlds is discovered.
In MAY / JUNE : In COLOURS VIBRATORY RELATIONSHIP (8 chapters) , the strong ‘Tree of life’ symbol bring me to put aside the form and concentrate on simultaneous contrast between pairs of colours, examining their interaction to each other and to me. Meanwhile Fiona is reconnecting with the theme of ‘As Above, So Below’, to Alchemy with the 3 essentials of the universe

…….And the research continue……..

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THE GROOVERS, MY FAVOURITE PERFUME, ANIMA MUNDI…and many others drawings for the new collection of Wall&Déco

 

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Textile and rugs

Glass, wood, paper, metal, ceramics….or…air, wood, metal, earth 🙂

porcelaine and clay,

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The transition to a new year is an opportunity for me to remember to be grateful, for being alive, for the love of my family and friends, for the trust and support of my partners. I wish for us all to maintain this spirit throughout the year, and with this in mind, focus on the essential, deepen what needs to be deepened, share what can be shared. :::::::::HAPPY NEW YEAR!:::::::

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In this festive atmosphere, please note my coming collective exhibition to start the year with ‘A KIND OF MAGIC’!
Between the 18/1 to 15/2 2020- at the Memoirs of the future gallery Paris.
I will exhibit 5 of my “Directed Randomness” works, (a taste for those who missed my last larger exhibition).
HAPPY HOLIDAYS!

Exhibition vol 2, exploring the territories, whether physical or mental, linked to the human need of understanding our environment, and seek answers to the fundamental questions about the infinity and spirit.
with me, Collectif Sansraison / Couli art / Rosalyn Driscoll / Luz Fandino / Margarete Kiss / Fiona Morehouse / Zoe Grindea

Photo : projet Hasard Dirigé
As above so below, 2019
60x75cm
mix media sur papier

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