START THE YEAR WITH ARGUMENT MAGAZINE
I am delighted to be featured on the cover of the art and literature magazine Argument for the first quarter of 2026. An in-depth interview with Eduardo Pérez Viloria can be found on pages 6 to 20.
Happy New Year 2026!
UNDERWATER IN LIVING CORRIERE ITALY
Creating art and design requires patience, resilience, and different skill sets — so it’s a joy to be recognized in Living Corriere (Corriere della Sera interior design magazine) in their Home Trend Guide 2026!
Thank you Benedetto Marzullo and Francesca Tagliabue for the feature, and Wall&Deco for our long-standing collaboration.
“Some of the most interesting innovations can be found in wall coverings… Underwater, design by Talva Design. Waterproof wallpaper from the Aquabout Wet System range, perfect for wet areas.”
This project marks the launch of Tal Waldman’s Qurt textile furniture—Récits Tissés (Woven Stories)—a functional and poetic piece, hand-painted and designed using the Qurt Storage module. Three wool wall hangings accompany it, as well as embroidered drawings. Tal Waldman’s hybrid practice combines different mediums—including textiles—in an introspective and narrative design approach. She explores textiles as a vehicle for memory, identity, and belonging, revisiting the notion of “at home” through a language of gestures, materials, and symbols.
Récits Tissés (2025) reinterprets the Qurt Storage module in hand-painted wool. It embodies a poetic synthesis of the Récits Tissés series, which explores textiles as a language of memory and a space of belonging. Conceived as part of a nomadic approach, inspired by travels across several continents, the piece combines art, design, and ecology to offer a meditative perspective on contemporary living. Here, textiles become a sensitive medium where function and poetry engage in dialogue.
Fibres d’ancrage (2025), Ces trois tapisseries en laine peinte à la main franchissent la frontière entre tissage et peinture, entre fonction et symbole. Dans l’une, des cheveux féminins mêlés à la laine tissent un lien intime avec l’histoire ancestrale ; dans l’autre, des tiges de
bois forment une structure tridimensionnelle, incarnant l’ancrage et la tension. Le geste du tissage — répétitif et méditatif — incarne le temps, la patience, et l’entrelacement des récits. En détournant le textile de sa fonction utilitaire, Waldman interroge la limite entre objet domestique et œuvre d’art. Ces tapisseries deviennent des espaces de passage, évoquant à la fois l’enracinement, le déracinement et la renaissance.
Anchor Fibers (2025), These three hand-painted wool tapestries cross the boundary between weaving and painting, between function and symbol. In one, women’s hair mixed with wool weaves an intimate connection with ancestral history; in another, wooden rods form a three-dimensional structure, embodying anchoring and tension. The act of weaving—repetitive and meditative—embodies time, patience, and the intertwining of narratives. By diverting textiles from their utilitarian function, Waldman questions the boundary between domestic object and work of art. These tapestries become spaces of passage, evoking at once rootedness, uprootedness, and rebirth.
Les Nautes de Paris / Beaux Arts (22 Janvier 2024) / Fondation Taylor – Awards 2023
Honorée et ravie par le Grand prix Dessin 2023 attribué par la Fondation Taylor
Very proud tonight! I received two awards for my works presented in the sacred art festival from @modernartenergy Japan and @the_american_university of paris. Thank you Marc Higonnet, Yoshie Araki, Jackie Kooken, Hitoshi Babasaki and Pr. Jonathan Shimony for making it possible !
Thank you @artensionmagazine and @francoise_monnin for choosing my work for the article on The International Festival of Sacred Art, where I will be exhibiting with 300 other international artists between December 7-12 in Compiègne. It is with pleasure that I invite you to the opening at the Salles st Nicolas rue de grand Ferré in Compiègne on 6/12 at 6 p.m. See you soon !
Happy to share with you the new publication of The textile Eye winter 2021- visions of Milano design week, including @dedalo my contribution to the new 2021 WET collection with Wall&Deco/ by Saana Baker
The Résidence Galerie in Biarritz presents a series of drawings by the artist Tal Waldman through an exhibition entitled Hasard Dirigé from May 4 to May 29, 2021. Through this exhibition, Tal Waldman tells a poetic tale on the theme of the subconscious and dreams./// Eléonore WhiteTal Waldman, MON JARDIN, 46×32 cm, 2019, dessin sur papier ©Tal WaldmanThe Résidence Galerie in Biarritz presents a series of drawings by the artist Tal Waldman through an exhibition entitled Hasard Dirigé from April 30 to May 26, 2021. Through this exhibition, Tal Waldman tells a poetic tale on the theme of the subconscious and dreams.The Résidence Galerie in Biarritz presents a series of drawings by the artist Tal Waldman through an exhibition entitled Hasard Dirigé from April 30 to May 26, 2021. Through this exhibition, Tal Waldman tells a poetic tale on the theme of the subconscious and dreams.The result of genuine exploratory work, his Random Directed series seeks the balance between disorder and order. The visitor discovers a spontaneous gesture which gives rise to a feeling of freedom. The aesthetic language of his drawings is similar to that of a poem: each of the lines constructs a harmonious dialogue with the visitor, who becomes a reader of imaginary words. Loaded with symbolism, the drawings presented at the Résidence Galerie are an ode to joy.Tal Waldman, WOMEN, 46×34 cm, 2019, dessin sur papier ©Tal WaldmanColors diffuse with different texture, brightness and intensity producing a vibrating effect. The nuances used in Civilization remains I explore the same chromatic variation. The multiple shades of green evoke lush vegetation blossoming freely. The Random Directed series thus deals with the importance of the subconscious which offers a necessary letting go of man.During his observation, the visitor sees figures appearing like this woman, in Women, who is holding her face between her hands. This position symbolizes the emotional state of the dreamer. Thanks to the inclination of the face, associated with the explosions of color, we enter directly into an unreal and wonderful universe.The artist experiments with the theme of consciousness and the subconscious, two opposites that punctuate our moods. Small and medium-sized, the composition of his drawings is deliberately unstructured in order to lead the viewer on the path of a quest for oneself.The Random Directed exhibition reveals the importance of chance, as a guide that plays a role in the construction of our identity. This exhibition opens a conversation with our emotions and our intellectualization of the world.
